Things are heating up in 2026…

Which is good because it’s FREEZING outside here in Winnipeg where it’s literally COLDER THAN ANTARCTICA!

First, on February 2nd, I’m looking forward to kicking off International Development Week 2026 with the participants of MCIC’s Voices for Change Project. Tobi, Ali, and Sami will be on stage at The Manitoba Legislative Building performing their poem, “What We’re Meant to Be” for the first time in front of a live audience! The piece centres on survivors of armed conflict in familiar key world settings, including here in Canada where refugees challenge and define the meaning of freedom. That same day on MCIC’s YouTube channel, the poem will debut in video form which was recorded at The Graffiti Gallery back in November, and featured the installation, “Red Wash Stand” presented by Pukatawagan Cree activist, writer, and rad moustache rockin’ Clayton Thomas-Müller.


Next, on February 11 at The Handsome Daughter, I’ll be recording a live set of poems I’ve collectively locked in as a statement of my growth as an artist and a person since first engaging with spoken word poetry in the early 2010’s. Topics like mental health, Truth and Reconciliation, and existentialism and absurdity are filtered through personal experiences encompassing conflict, struggle, self-healing and empowerment, and confronting “the darkness” in my psyche and Canadian history to emerge older, wiser, braver, and more at peace with myself (relatively speaking). I’m putting this stamp on my art before I tackle the next creative phase exploring humanity with complexity, nuance, and always, humour and heart as much as possible.

The evening also features special guests Jules and IDIC Verse, and an open mic to kick things off at 7pm. Doors/sign up’s at 6, and admission is $10 in person or online here (with processing fees).

Partnering with Poetry in Voice, I’ve got a few classroom workshops including my first virtual visit to a grade 8 class in Calgary. In March, I’m looking forward to the launch of the Story Connections podcast interview I did with Kahanee‘s founder and fellow poet, Somia Sadiq. Among the laughs and meaningful moments touching on some very human emotions, we discussed the inspiration behind Birds of a Feather, the empowering potential of being witnessed and my role as Director in building community at The Winnipeg Poetry Slam, and just what the heck we’re doing here as artists and storytellers. Stay tuned for that, as well as a live event on March 25th at Kahanee’s HQ in Winnipeg’s Exchange District. In 2026, they’re running a storytelling campaign exploring the theme of belonging and this one focuses on poetry in particular. I’ll be sharing a couple topical pieces and facilitating a short workshop to ground attendees in their own lived experience as the source of power for their own stories to be told!

Also in March, I’ll be making an appearane le 2ème festival de slam en français au Manitoba. Back in September, some of us ‘anglos’ from the Winnipeg Poetry Slam joined our francophone counterparts in Plume Winnipeg‘s mobile installation at Nuit Blanche, slamming ‘au plein air.’ It was a great time making friends with Seream and the crew, and I look forward to seeing them all again!

I’ll call that a pretty productive first quarter to 2026, with more creative adventures on the way…though I’ll have to be patient for the one in particular I’m most excited for, which maaaaay have something to do with the University of Manitoba’s Centre for Creative Writing and Oral Culture’s Writer-in-Residence program. Stay tuned to find out more about that closer to the 2027 Winter Term 😉

Youth Poets Fight for Home

Coming up on May 27, 2025, I’m excited to welcome the youth poets of the 2025 Voices for Change program to the stage at The Handsome Daughter to share their poem, FIGHT FOR HOME with the Winnipeg Poetry Slam community.

Back in the fall, I stepped into my role as facilitator for the 10th time (!) to work with high school students to create a poem which would be professionally filmed, then later launched online and performed live for an audience at the Legislature as part of International Development Week. This year’s project was significant, however, as the topic of displacement carried a particular weight for the participants who each carried their own lived experience.

In a special partnership between the Manitoba Council for International Cooperation and the Resilia Community Wellness Centre (formerly Aurora Family Therapy Centre), I met Indigenous students Merek and Linnaya, as well as Ali and Tetiana, who were refugees from Syria and Ukraine, respectively. The group were a part of a youth leadership program at the wellness centre, and each certainly had something to say on belonging and security, whether within Canada, or from abroad.

Considering how Merek and Linnaya are both preparing to graduate into our society and inherit the living history of colonialism impacting all treaty relations, and how Tetiana and Ali had experience with displacement caused by violence in their home countries with literal physical and emotional scars to show for it, I definitely grew in my capacity to support others in expressing themselves. With extra guidance from MCIC’s education specialist and Resilia’s youth program facilitator, we navigated difficult subjects and emotions, and created what was clearly the realest poem to ever come of this program.

With that being the case, I’m proud of our work and must acknowledge the courage that everyone showed in stepping up to share these truths which so tragically affect the young and innocent. But also, the resilience, hope, and grace they carry towards the future.

Before you come see them in person, check out the video!


Let’s flock together

In the fall of 2024, Adam Pagtakhan of Midnight Sun Creative and I met on the street outside my apartment. As we gazed into an open cardboard box in the trunk of his car with a giddy fulfilment, we couldn’t anticipate the overwhelmingly positive response we would receive for our collaboration. Instantly dismissing the fact that our respective bank accounts had been drained to cover the cost of printing, we were too busy high-fiving and signing each others’ copies of our book to care. Real physical copies! In our hands!

That was the day that Birds of a Feather: A Graphic Poem arrived. It was a project that we initiated during the pandemic lockdown, after some time discussing a collaboration. We’ve been friends since high school; hopeless nerds, deep thinkers and feelers, who have supported each other as we’ve developed our respective crafts and then took the plunge into building careers as professional artists…with day jobs.

It started as something to do for fun, to see what would come of Adam’s visual interpretations of a poem I shared, and which he chose as having provocative imagery and a powerful message of finding empowerment through communing with others who share mental health struggles. We chose the format of a graphic narrative, a.k.a. a comic book, as something we were both familiar with, and something I’d dreamed about creating since I sketched superheroes in art class.

Adam was already a talented graphic designer, finding consistent work designing posters, logos, shirts: you name it. But his initial drafts revealed so much depth that resonated with the material, fulfilling the potential of graphic narratives to transcend mainstream comic strip forms to engage with readers on a truly meaningful level. What we were creating wasn’t quite a comic book, or a picture book with poetic text, but kind of…both, which also leaned into dreamlike cinematic imagery. Taking some literal cues from lines in the poem, he formed a visual meta-narrative of a wounded bird on a journey through dangerous terrain, encountering monsters and pitfalls as metaphors for trauma recovery. Meanwhile, in our little protagonist, he captured expressions and personality that I could instantly connect with as a reader.

When I was invited to perform at Plume Winnipeg‘s Afterwords event, I made sure to bring a few copies to sell, along with Adam himself to acknowledge his contribution from the mic. It was our unofficial launch; we’d only just started posting about it on our social media channels. And even though I hadn’t shared the poem on stage in years, the experience of having bonded with Adam through the material inspired and empowered me to give a meaningful performance. It did seem to resonate with the audience, who immediately snatched up all the copies we had, with someone telling us we should have brought more! On top of that, Adam and I were hounded for autographs, which, despite being touching and humbling, was just unheard of for a couple of self-published creators.

Since then, we’ve connected the graphic poem to readers across the country, built somewhat of an audience here at an ‘official’ launch featuring other spoken word poets and their respective chapbooks, and found support with local shops who agreed to carry it on their shelves. This included a comic book shop, which was like a surreal dream come true! Recently, I shared the poem and discussed the project with a poetry class facilitated by fellow poet, Heidi Sander, in Cambridge, Ontario.

As I shared in the afterword, the way Adam’s art responded to mine and connected us as emotional beings inspired me to see the book as more than just that. It was the reason I chose to include a list of mental health resources (based in Canada), so the book could be used as a tool to connect and heal those who struggle with their own illnesses and existential crises. So far, with the way we’ve connected with readers, we’ve proven to ourselves that we did make something special and meaningful. We’ve also proven that though people may struggle alone, we’re much stronger together. Especially when we create community through art!

To grab your own copy in Winnipeg, visit 204 Comics or House of Local where you can also get a copy shipped from their digital store at the link.